Delaine Le Bas is a British artist born in 1965. Her work addresses nationhood, land, belonging and gender across diverse media including embroidery, painting, decoupage, sculpture, installations and performance that reflect domestic claustrophobia and the transient nature of modern materiality. Le Bas was shortlisted for the Turner Prize 2024 and she participated in the group show 'Turner Prize 2024' at Tate Britain with an immersive installation adopted from her solo exhibition 'Incipit Vita Nova. Here Begins The New Life/A New Life Is Beginning' held at Vienna Secession in 2023, which her nomination for the prize was based on.

Le Bas has exhibited her works extensively both in the UK and abroad. Recent solo exhibitions include '+Fabricating My Own Myth – Red Threads & Silver Needles', Newcastle Contemporary Art (2025), 'Stranger in Silver Walking in Air', The White House, Dagenham (2025), 'Delainia: 17071965 Unfolding' at Tramway, Glasgow (2024).


In June 2007, her work was included in the first Roma Pavilion at 52nd Venice Biennale and the Prague Biennale. She has continued participating in international events, including the 11th Berlin Biennale (2020), Harbstsalon, Maxim Gorki Theatre, Berlin (2019, 2017), Roma Pavillion at 58th Venice Biennale (2019), ANTI Athens Biennale, Athens (2018), 9th Gwangju Biennale (2011), National Gallery of Zimbabwe, Harare (2014), Framer Framed, Amsterdam (2015), and a number of UK venues including solo exhibitions at Transmission, Glasgow (2018), Bolton Museum and Art Gallery, Bolton (2014), Phoenix, Brighton (2014), Chapter, Cardiff (2010), Transition, London (2005). 'St Sara Kali George’, Worthing Museum and Art Gallery (2021), 'Beware of Linguistic Engineering’, Maxim Gorki Theater (2022). She created a commissioned work for a group exhibition ‘Radical Landscapes’ for Tate Liverpool (2021). Le Bas curated ‘House of Le Bas(2023) an exhibition overviewing the history of practice of herself and her late artist husband Damian Le Bas for Whitechapel Gallery in London.

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